Death Race 2000 Review Movie Shows A
It is about a race where the object is not only to finish first but to score the most points as well.DEATH RACE 2000. A typical high-quality, low-budget Roger Corman film. This movie shows a race where the object is to run over as many people as possible. Those who came in droves to see Death Race 2000, produced by quickie auteur Roger Corman, certainly werent disappointed in any of those respects, but they may have been surprised to also get a fair amount of political satire and dark comedy to go with it.“What is that?” asks Annie Paine, navigator to the legendary race-car driver Frankenstein, as nurses and doctors set wheelchair-bound elderly people in the middle of the road, right in the path of their speeding car.Detailed plot synopsis reviews of Death Race 2000. DVD Review Nothing gratified the drive-in market of the 1970s like fast cars, gratuitous violence, and a smattering of sex and nudity.
According to legend, most of his body parts, including much of his face, were blown off in previous accidents and reattached in cyborg form. The results are hilariously satisfying.David Carradine plays “Frankenstein,” the only competitor to have survived - and won - a previous Transcontinental race. It’s a real-world version of that “100 points!” game everyone played as teenagers when an old lady wandered into the crosswalk.
She’s the granddaughter of Thomasina Paine, leader of the underground resistance that wishes to shut down the race and challenge Mr. His new “navigator,” a perky blonde who isn’t afraid to do a number of long, lingering scenes with no top on, is actually a double-agent. Frankenstein is a national hero - a superhero, really - with a disguise and a cape and a kickass car.
Carradine is merely the latest actor to play him. As Annie discovers when she hesitantly removes his mask, “Frankenstein” is not a stitched-together monster at all, but a character constructed by the government to act as a national hero. Doing the “enigmatic badass” role he always played so flawlessly, David Carradine (RIP) turns out to hate the president as much as the resistance does. (Only the winner of the race gets to shake hands with the president.) But Frankenstein isn’t what he seems.
His dippy navigator doesn’t spare the cleavage. Cars with knives on the grille! Nazi chicks in naked catfights! Splosions! Sly Stallone and David Carradine in a punch-up! Gratuitous boobs! It’s a perfectly shameless feast for the id, without sacrificing its sly sense of humor.A very young and then-unknown Sylvester Stallone is a tightly wound ball of charisma as the gangster-themed driver “Machine Gun” Joe Viterbo, whose fragile ego can’t stand coming in second to the fame of Frankenstein. Though it does manage to comment on American culture (specifically the media—much of the film is framed as breathless “newscasts” of the race, with an obnoxious blowhard announcer a wheedling, smarmy interviewer and a droning “serious reporter”), Death Race 2000 is a parade of awesome from beginning to end. After long scenes of well-maintained sexual tension, Frankenstein and Annie team up to defeat the other racers, elude the misguided rebel attacks, and assassinate the leader of the un-free world.I hope this doesn’t make it sound like Death Race 2000 is some sort of B-movie attempt at political drama or high-minded satire.
The cinematography is grim, grim, grim, and it tries to give the plot too much emotional weight when the viewers (and, obviously, the filmmakers too) really care more about blood, fights, and explosions. There’s certainly just as much if not more action in this incarnation, but the film takes itself so seriously. I think the sins of lesser, overblown action movies can be seen in the recent remake of Death Race 2000, titled simply Death Race. What most often happens as I watch an action movie is that I simply become bored, and it’s not because I hate explosions. That’s what action movies are supposed to do. And it isn’t necessarily because character is sacrificed for meaningless action, or that plot matters less than special effects.
Death Race 2000 Review Full Knowledge That
That way, we all keep in mind that we’re just in it for the ride—and it’s a blast.By Katherine Follett ©2009 NotComing.com More Favorites: The Action MovieWe don’t do comments anymore, but you may contact us here or find us on Twitter or Facebook. It puts the emphasis on the sex and violence, where it should be, and forgoes any pretentions otherwise. It’s the very, very rare action movie that can make you think, and Death Race 2000 doesn’t try. What fun is violence with consequences? What once felt like a roller-coaster ride, with colors and speed and full knowledge that it was all just a game, is now more like being locked inside a metal box and thrown down a hill. Now that the characters seem to actually care about what happens during the action, I, counterintuitively, care less.
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